Spindles of light in the brown water off the edge of the dock. Paddleboats. Boys and girls leaping off, then turning and holding the edge with one hand as they tread water to splash their friends. Off the floor of the pond the reedy grasses rise, same color and shape as the wheaty lines of sunlight arcing down to feed them. A dry group of children in mother purchased gaudy swimsuits looks straight down from the dock and can’t tell where sun ends and grass begins. And they’re afraid to test the depth of the sunlight’s safe water—afraid to feel the mannequin hands of the grass oscillate against their ankles—afraid to breach that safe margin. A simple enough fear.
       But if you are one of those dry children you  should know you will probably end up, in your late middle age, sitting in your beat-up  idling pickup in a Best Buy parking lot (nothing better to do on a Tuesday  evening) watching the future corpses of America waddle by with their grocery  bags. 
     Then you’ll probably look up at the huge  American flag lolling in a tiny breeze. You’ll be desperate to find a rhythm in it, a  known cadence, anything. But you won’t and you’ll start to curse the  inconsistency of its undulations—the completely random and irredeemable chance with  which the wind sails and billows it.   “Stand straight out, damn you!” you’ll say as you watch it.  “Stand straight out, Goddamn you, so I can count your stars!”
But it won’t. These twilight gusts are nowhere near  strong enough. And child you won’t either. Unless you jump. 
Composition Notes: 
Trigger: remembering the way the sunlight looked  off of a dock when I was 10 or so. Then waiting in a Best Buy parking lot,  grumpy, and looking at the big flag.
Influence (anxiety of): Yesterday I read the first  40 pages of C. McCarthy’s Suttree, and then watching Inception (holy crap) right afterwards. Big time double whammy for introspection. I measure out how  much I allow myself to read McCarthy, because I think he’s the bees knees and I  know there’s only so much left that I haven’t read. I’m in awe of his  vocabulary and how he describes things. My attempt at the sunlight and the reeds is a  shadow of a shadow of what he does in describing the Tennessee river in  Suttree. Inception was absolutely amazing. I love creative things that force you  to think on a different plane. 
Music: I was listening to “The National” station on  last.fm (again, major introspection J )while I did some of the early paragraph, but then I needed to read out loud to test some of the sentences, so I turned it down and forgot to turn it up again. 
Timeframe: Yesterday I jotted down some notes while  looking at that flag, then last night there was the long drive back from the  movie where I mused on it, then today, about 45 minutes actually writing it  out. Had no idea it was headed where it was until I wrote the last line. 

I didn't know you were rationing out McCarthy. Maybe we should write a road trip movie about going to New Mexico and begging him to write more stuff.
ReplyDeleteInteresting idea writing the genesis and influences of the pieces. I'll try that.
Also, I like this feeling in the parking lot, the idea that it could directly relate to this earlier time. The idea that all those boys partake or don't partake in at that one moment shapes them.
Good, my friend. It's fun to see what comes from your mind day after day.